“ENCORES”   Diptych  40” x  48” x 3/8”         2019

“ENCORES” Diptych 40” x 48” x 3/8” 2019

 

THOUGHTS

When I started working with glass. I developed a process of breaking tempered glass and freezing it in epoxy and then successfully printed on the glass with a UV light flat-bed printer. With that process I was able to create my own narratives on a 2d surface. In these printed on glass images we witness my return to creating a three dimensional scene on a two dimensional surface. 

“  68’  19’  17’  “       36” x 48” x 3/8”    Tempered glass, UV Light Printer, appropriated images collaged for printing.

“ 68’ 17’ 21’ “ 36” x 48” x 3/8” Tempered glass, UV Light Printer, appropriated images collaged for printing.

“UNTITLED VIETNAM #1”               48” X 34” X 3/8”

“UNTITLED VIETNAM #1” 48” X 34” X 3/8”

“END OF THE ROAD”  is a stage set with the Buddah at the center of a thrust stage and a backdrop creating more of a light hearted festivity.  The images were photographed by me during a trip to Vietnam, Singapore and Thailand.  I fell in love with the architecture and patterns of the country.  At the same time I was mourning the end of a long standing touring career with a performing artist .   36" x 42" x 3/8" Tempered glass, epoxy resin, stainless steel stand-offs, Macbook pro.

“END OF THE ROAD” is a stage set with the Buddah at the center of a thrust stage and a backdrop creating more of a light hearted festivity. The images were photographed by me during a trip to Vietnam, Singapore and Thailand. I fell in love with the architecture and patterns of the country. At the same time I was mourning the end of a long standing touring career with a performing artist .

 36" x 42" x 3/8" Tempered glass, epoxy resin, stainless steel stand-offs, Macbook pro.

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DARK SIDE OF HER BROOM

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TRANSLATING TRANSITIONS 1 - 4